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Spring 2018
Williams Magazine
Detail of typewriter

(Re)learning How to Write

Williams » Williams Magazine » Spring 2018 » Features » (Re)learning How to Write

Cassandra Cleghorn had a hunch: “learning to write on a computer is profoundly different from learning to write on a typewriter. When a student sits down to write at the computer, she enters a very noisy room: a swirl of information, messages from word-processing programs, notifications from this or that social media app. The typewriter has a singular purpose: to make words on the page.”

So the senior lecturer in English and American studies developed the course Typewriter!, taught for the first time during Winter Study. Cleghorn purchased seven typewriters on eBay and obtained others from community members. She taught herself basic repair and fixed up the machines for the students, who each chose one to use for the course. As they composed letters, wrote poetry on demand in the Paresky Center and completed other assignments on their typewriters, the students observed the changes in their thinking and writing.

As a surprise, they also got to keep their machines or similar ones. “The students generated an extraordinarily creative and thoughtful output of writing in just one month,” says Cleghorn. “The powerful connection they formed with their typewriters—a connection all 10 of them want to continue exploring—suggests that my hunch was right.”

Portrait of a student with her typewriter.

“The typewriter helps the writing process. It fights writer’s block. The sounds are encouraging.” — Arselyne Chery ’21, 1973 Royal


Portrait of a student with his typewriter.

“Writing poems on demand was uncomfortably revealing, and now everyone knows I’m in love with my mother.” — Adam Calogeras ’18, 1931 Underwood Portable


Portrait of a student with her typewriter.

“You write so differently when everything you write stays on the page. There is a permanence.” — Emma Larson ’21, 1965 Smith-Corona


Portrait of a student with his typewriter.

“There’s a level of care and attention to put the margins in the right place.” — Leonel Martinez ’20, 1968-72 Olivetti Studio 45

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A Closer Look: Claiming Williams Positive Pathways Teaching Right-Wing Populism Notes From the Seabird Capital of the World

« Spring 2018 »

« Features »

  • Election Results

    For four members of the Class of 2004, the 2016 presidential election was a turning point that led to profound changes in their work.

  • The Language of Family

    A new book by historian Kendra Taira Field ’99 explores family, race and nation after the U.S. Civil War.

  • (Re)learning How to Write

    Cassandra Cleghorn had a hunch about writing with a typewriter versus a computer and it led her to create a Winter Study course.

  • 50 Years of Lessons

    Notes from half a century of Winter Study

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